Archives for posts with tag: Performance Art

Took a bus trip up to SUNY, NP,  from downtown NYC with many of the original members of this 60’s video collective. The trip up to New Paltz was animated and festive as Skip Blumberg a former freex-er, strolled the aisle welcoming old friends from the collective along with younger fans.  Bus monitors were ablaze with freex videos, and on-board noise cheerful with  introductions, stories and general hob-nobbing. EAI Executive Director Lori Zippay was aboard as was former MoMa curator Barbara London. Greeting us upon arrival the Samuel Dorsky Museum, was Andrew Ingall, Curator, who welcokmed  the group with  a wonderful spread; the Prosecco was flowing. A large community and distance traveling fan base turned out for the opening, and I bumped into videographer Kathy High (Associate Professor of Video Art & New Media at Rensselaer Polytechnic) and Paper Tiger’s Dee Dee Hallek.  Made the acquaintance of renowned theatrical  lighting designer Beverly Emmons (!) and another freexer, Davidson Gigliotti.  The  Museum did a great job of showing the video in the context of ephemera from that time, from photos of Maple Tree Farm, to events posters and news-media clippings. I was most impressed by footage of a performance taken on Prince street (late 60’s early 70’s) of naked artists being soaked in pigs blood dropped from above.

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Charlemagne_ Palestine

I met Charlemagne Palestine after attending his book signing at Electric Arts Intermix in December and went to his opening a few days later at Sonnabend. It was nice that we had mutual friends and even better that his process intersects with my own vis-a vis a personal bodily engagement. A trio of video installations: Ritual Dans La Vide, Motions x 24 and Cemetery Trio, blend lo-tech, fleeting imagery with bellowing sonic rants and architectural meanderings. I was drawn into his winsome world of empty rooms, resting places (cemeteries) and rides (Coney Island’s Cyclone). The technical equipment made friendly with his fetish-y objects and fabric, it’s a go-to; worth the effort before the show closes Feb 1. He’s performance history and it’s the real deal.