Video still: Adam Douglas Thompson

Adam Douglas Thompson @ NurtureART
In the current Videorover show at NurtureArt, Adam Douglas Thompson’s projected scrim of a white-cube gallery space is relentlessly reconstituted; its space regularly being re-made with invented digital ‘shows’. Each one of Thompson’s doll-house-like concoctions is convincingly placed within this circumscribed digital context; and within minutes and (often seconds) the scene is washed over for the flavor-of-the-moment art idea or series that comes next. There are groups of paintings, sculptural objects, and installations; each group a thoughtful show in itself, lightly referencing the ‘canon’ yet neatly – and perversely (through the wonders AfterEffects) swept away, and replaced with another visual idea. It’s both compelling and unsettling as the constant stream of change (like the seasons in a gallerist’s space) and the more ubiquitous media landscape, perpetually engages, confuses, and entertains in offering up the latest possibility.

Vorstadt_2014_02

Susanne Hofer/ Light Bulb Magic @ Fresh Window
In entering the Fresh Window Gallery of Susanne Hofer’s show, I see lit on the floor, of a darkened room, a pile of empty oddly arranged boxes, cartons, cleaning materials, and the flotsam of office and carpentry ‘stuff’. “Oh no.” I think; a Sarah Sze wannbe? I linger a bit longer looking down at the stuff and then -in hanging with the crowd who face an opposing wall- I notice that the stuff casts a shadow on a projected (video) scene which – it turns out- is a setting sun. This shadow of stuff, is resurrected as an invented cityscape casting a dark skyline against the fading day. Another deceptively simple piece is a peephole several inches wide in the wall. Looking through it you see a vast scene on a reduced scale of New York Harbor at work. The pleasure of these pieces is in the trick of expectation; being disappointed, then fooled and delighted in finding the sublime plumed from the commonplace and disposable of the everyday.